tokina 16 28 nikon

The Tokina AT-X AF Aspherical 24-200 1: 3.5-5.6 (AT-X 242 AF) is a versatile super zoom lens for full frame cameras from a bygone era. It attracts with its range of focal lengths. For example, Nikon does not have lenses with a similar focal length, the most similar is Nikon 24-120mm 1: 3.5-5.6D AF Nikkor и Nikon AF Nikkor 28-200mm 1: 3.5-5.6D. The clutch allowing rapid transition to manual focus is genius - t is intuitive and very useful. The focal length range has inspired me to adopt my own holy Hebrew trinity; EF tokina opera 16-28 f/2.8 aspherical, RF canon 28-70 f/2 L, EF canon 70-200 IS III f2.8 L . On my r5 Description Zoom ultra-grand-angle, l'objectif Tokina Opera 16-28mm f/2.8 est adapté à la photographie de paysage et d'architecture. Son ouverture constante à f/2,8 est également un atout en astrophotographie et en photographie d'intérieur. Sa formule optique complexe assure un piqué élevé et une distorsion extrêmement réduite. The store will not work correctly in the case when cookies are disabled. Parece que JavaScript está deshabilitado en tu navegador. Para obtener la mejor experiencia en nuestro si Tokina Snap Lens Cap AT-X16-28 F2.8 PRO FX Exclusive 710777 $18.03 Free shipping Tokina at-X PRO FX 16/28 Black Lens Cap $17.73 + $10.05 shipping Tokina Lens Cap for AT-X 16-28 F2.8 PRO FX Black Japan free shipping new $33.77 Free shipping Hover to zoom Image not available Have one to sell? Sell now Shop with confidence eBay Money Back Guarantee Welche Singlebörse Ist Für Frauen Kostenlos. When I first got access to the Tamron 15-30mm f/ VC lens which we recently reviewed, I got curious about other potential lens options already available with the similar focal length range, build and fast aperture of f/ After a quick search through our lens database, I found the Tokina AT-X 16-28mm f/ Pro FX. This little gem has been available for a while now and although I have heard a lot of good things about it, I never had a chance to actually try it receiving the lens along with a few other lenses like the Tokina AT-X 11-16mm f/ Pro DX-II which I will be also reviewing very soon, I headed off to Death Valley National Park. Although I primarily used the lens with my infrared-converted Nikon D800E, which as I painfully found out later turned out to be a bad choice for IR as explained further down in the review, I was really curious to see how it would do, given its extremely attractive price of $629. At this price, I was expecting the Tokina 16-28mm f/ to be a poor performer, because the price just did not seem to be right for such a fast zoom lens with a “pro” label on it. After using the lens and testing it out in my lab, I realized that I was wrong – it turned out to be a hidden my experience with the Tokina 16-28mm f/ was not as long and thorough as with the Tamron 15-30mm f/ VC or my Nikkor 14-24mm f/ I had plenty of time with the lens to assess its performance and its potential. Still, I apologize ahead of time for not being able to provide a more diverse set of image samples. If I get a hold of this lens again, I will definitely shoot some more and provide them here for our readers to enjoy. So let’s get to it!Tokina 16-28mm f/ OverviewBeing an ultra-wide angle lens, the Tokina 16-28mm f/ is specifically designed for photographing architecture and landscapes. With its constant aperture of f/ throughout the zoom range, the lens is also a great candidate for low-light photography. The Tokina 16-28mm f/ features a rather complex optical design, with 15 elements in 13 groups, 3 of which are of aspherical despite its plastic exterior shell, the lens feels like there is nothing but glass and metal inside, as it weighs 950 grams – almost as heavy as the Nikkor 14-24mm f/ lens. At 90mm x 133mm, it is also not small by any means. The lens comes with a focus motor, so it will operate on all modern Nikon DSLRs, including entry-level models like the Nikon D5500. Being a professional-grade lens, the Tokina 16-28mm f/ should be able to withstand both cold, moisture and dust see more about weather sealing concerns in the “Lens Handling” section of this review.NIKON D5500 + 16-28mm f/ 16mm, ISO 100, 1/3, f/ its wide coverage of 16-28mm, the lens is specifically targeted to be used on full-frame FX cameras. While it also provides pretty good coverage on cropped sensors cameras DX, with an equivalent field of view of approximately 24-42mm, using such a lens on smaller cameras might not be very practical due to weight and size concerns. Unfortunately, just like its Tamron and Nikon counterparts, such a complex wide-angle lens design resulted in a large protruding front element, making it impossible to mount regular screw-on filters. So if you want to use polarizing and GND filters, your only option at this time is to look at third-party filter systems like the FotodioX WonderPana, which does have the right adapters for the Tokina 16-28mm f/ terms of optical performance, as you will see in the Optical Features section of this review, the Tokina 16-28mm f/ delivers excellent results in the center, often surpassing its competition, but needs a bit of stopping down to achieve good corner performance, which is its biggest 16-28mm f/ Specifications Mount Type Nikon F also available for the Canon EF mount Focal Length Range 16-28mm Maximum Aperture f/ Minimum Aperture f/22 Angle of View FX-format – Lens Elements 15 Lens Groups 13 Compatible Formats FX, DX Diaphragm Blades 9 SD Glass Elements 3 Aspherical Elements 3 Autofocus Yes Minimum Focus Distance Focus Mode AF/MF Filter Size N/A Length Diameter Weight Approx. 950 gNIKON D5500 + 16-28mm f/ 28mm, ISO 100, 1/500, f/ specifications for the lens, along with MTF charts and other useful data for the Tokina AT-X 16-28mm f/ Pro FX can be found in our lens HandlingBeing such a big and heavy lens, the Tokina 16-28mm f/ would be quite front-heavy with lightweight DX DSLR cameras, which is why I would only recommend it on heavier FX cameras for proper balance. If you have a DX camera and you want an ultra-wide angle lens, the Tokina 11-16mm f/ DX would be a much more suitable choice. I primarily used the Tokina 16-28mm f/ on my infrared-converted Nikon D800E and my D810, and it handled quite well, similar to how my 14-24mm f/ does. The zoom ring is located at the base of the lens, making it easy to zoom in and out. It is a bit stiff to rotate initially when the lens is brand new, but overtime it does get easier and smoother. At 16mm, the large front element extends out and moves all the way back at around the 24mm to other Tokina lenses, the 16-28mm f/ features a push-pull ring design for switching between autofocus and manual focus operation. In all honesty, that’s one feature I am not a big fan of on Tokina lenses – I really wish Tokina engineers reworked its design and moved AF operation to a switch on the side of the lens, similar to what everyone else is doing. Why? Because it feels a bit clumsy and feels like it will break overtime. Also, when working in the field with the lens mounted on a tripod, one has to apply quite a bit of force to move from AF to MF or vice versa, which might result in messing up the framing. Although it is not an issue on a heavy-duty tripod, I had to move my setup on my lightweight travel tripod a few times, which was a bit annoying. Lastly, the push-pull focus ring is definitely problematic in dusty situations. Taking it out to Mesquite Sand Dunes and photographing during 50 mile per hour winds with sand and dust blowing all over was a big test, which the lens unfortunately did not pass. Sand made its way right under the focus ring and the lens has been making screeching sounds ever since. I tried to clean it up, but I am afraid the lens will have to be disassembled to get rid of the sand in the D800E + 16-28mm f/ 24mm, ISO 200, 1/250, f/ the focus ring is pushed to “AF”, rotating the focusing ring has no effect, so you cannot easily override focus as you can on modern Nikkor lenses. To switch to manual focus, you pull the ring back to “MF” position, which then activates manual focus. Rotating the ring counter clock wise will move focus towards infinity and once the lens is beyond the infinity sign, there is a hard stop – the same goes for close focus. This design reminds me of the older Nikkor lenses with a screw-drive system and it even makes a similar sound. Speaking of which, I guess the definition of “silent” is quite different across brands. Although Tokina markets the lens with a “Silent DC Motor”, it is far from being lens handles just fine in hands. Similar to many other lenses, the barrel is fully made from plastic and the zoom and focus rings have rubber for better resistance. The metal mount seems pretty durable and the lens features a rubber gasket on the mount, so it should help in reducing the chance of dust getting into the camera chamber. The front cap is pretty large and it does a good job at protecting the front element. I like how Tokina designed the cap, because it can actually lock in place and stay there, unlike the cap on the 14-24mm f/ that comes off easily. Tokina also did a good job at protecting the lens in the rear – zooming in or out moves the rear element, but it does not expose the lens interior, so there should not be any concerns with dust and debris getting into the lens D800E + 16-28mm f/ 16mm, ISO 200, 1/125, f/ Speed and AccuracyThe focus speed on the Tokina 16-28mm f/ is pretty average – not as fast as on the Nikkor 14-24mm f/ and not very sluggish either. In all honesty, focus speed is not that important for an ultra-wide angle lens, so it is not a big deal. On the other hand, focusing accuracy is far more important and that’s where the Tokina 16-28mm f/ does not disappoint. I have taken many shots with the lens and there were very few moments when the lens failed to acquire focus on the D800E, D810 or the Nikon D5500. It acquired focus accurately each time and my copy did not need any micro-adjustments in the camera to deliver good results. The good news is, just like Tamron, Tokina also licenses Nikon’s mount and hence should have less AF reliability issues. ResultadosOrdenar porLente Tokina Nikon 11-16mm vendedor Verde2800 reaisem10x 280 reaissem jurosFrete grátisUsadoObjetiva Para Canon 11-16mm Aspherical + 2 Filtros2800 reaisem10x 280 reaissem jurosUsadoLente Tokina Nikon 11-16mm vendedor Perfil Verde2800 reaisem10x 280 reaissem jurosFrete grátisUsadoObjetiva Tokina Atx-i 11-16 reaisem12x 519 reais con 03 centavos Frete grátisUsadoLente Tokina Para Nikon 11-16 reaisem12x 384 reais con 47 centavos UsadoLente Objetiva Tokina Sd 11-16mm if Dx At-x Pro Nikon2900 reaisem10x 290 reaissem jurosFrete grátisUsadoLente Grande Angular Tokina 11-16 F/ Dx Llatx Pro Nikon 2590 reaisem10x 259 reaissem jurosFrete grátisUsadoLente Tokina 11-16mm F/ Dx Ii P/nikon- 1 Ano De Garantia,3499 reaisem10x 349 reais con 90 centavos sem jurosFrete grátisUsadoTokina Atx-i 11-16mm F/ Cf - Nikon, Muito Nova 2399 reaisem10x 239 reais con 90 centavos sem jurosFrete grátisUsadoTokina Atx-i 11-16mm F/ Cf - Nikon. Muito Nova 1935 reaisem12x 191 reais con 29 centavos Frete grátisUsadoLente Tokina Emz282af Af28 - 210 Usada Minolta630 reaisem12x 61 reais con 08 centavos UsadoLente Tokina Atx 28-85mm No Estado Para Componentes80 reaisem3x 26 reais con 67 centavos sem jurosUsadoRmc Tokina F4 28/85mm Mount O/om. + Adap Sony Next995 reaisem10x 99 reais con 50 centavos sem jurosFrete grátisUsadoNikon Af-s 10-24mm Dx tags 8 12 14 16 18 20 28 Como Nova4980 reaisem10x 498 reaissem jurosFrete grátisUsadoNikon Af-s 17 55 tags 16, 18, 24, 28, 35, 50, 70 Exc4980 reaisem10x 498 reaissem jurosFrete grátisUsadoLente Tokina Sd 12 - 24mm 1f Dxii Afpro1700 reaisem12x 164 reais con 82 centavos UsadoObjetiva Tokina At-x 12-28mm F4 Pro Dx Para Nikon2294 reaisem12x 222 reais con 41 centavos UsadoNikon Sigma 10 20 F/4 tags 12 14 16 17 18 28 35 Como Nova3480 reaisem10x 348 reaissem jurosFrete grátisUsadoNikon Af-s 50 Mm F/ G Full Frame tags 18,24, 28, 35, 551380 reaisem10x 138 reaissem jurosFrete grátisUsadoO frete grátis está sujeito ao peso, preço e distância do envio. em12x 668 reais con 01 centavos em12x 384 reais con 47 centavos Usadoem10x 349 reais con 90 centavos sem jurosUsadoem10x 239 reais con 90 centavos sem jurosUsadoem12x 191 reais con 29 centavos Usadoem12x 768 reais con 84 centavos Disponível 7 dias após sua compraem10x 856 reais con 90 centavos sem jurosem10x 916 reais con 60 centavos sem jurosem10x 907 reais con 07 centavos sem jurosem12x 667 reais con 34 centavos Disponível 5 dias após sua compraem12x 855 reais con 34 centavos em12x 782 reais con 49 centavos em12x 855 reais con 34 centavos em12x 179 reais con 36 centavos Usadoem12x 290 reais con 75 centavos Usadoem12x 519 reais con 03 centavos Usadoem12x 336 reais con 41 centavos Usadoem12x 227 reais con 37 centavos Usadoem10x 237 reais con 80 centavos sem jurosUsadoem12x 222 reais con 41 centavos UsadoO frete grátis está sujeito ao peso, preço e distância do envio. Tokina 16-28mm f/ Image SamplesNIKON D800E + 16-28mm f/ 28mm, ISO 100, 4/10, f/ D800E + 16-28mm f/ 28mm, ISO 800, 1/10, f/ D800E + 16-28mm f/ 16mm, ISO 200, 1/160, f/ D800E + 16-28mm f/ 16mm, ISO 200, 1/125, f/ D800E + 16-28mm f/ 17mm, ISO 200, 1/125, f/ D800E + 16-28mm f/ 18mm, ISO 200, 1/250, f/ D5500 + 16-28mm f/ 20mm, ISO 100, 1/640, f/ D5500 + 16-28mm f/ 16mm, ISO 100, 1/30, f/ Images Copyright © Photography Life, All Rights Reserved. Copying or reproduction is not permitted without written permission from the author. Introduction The Tokina Opera 16-28mm FF is a new ultra-wide-angle zoom lens for full-frame Canon and Nikon DSLR cameras with a constant maximum aperture of f/ available throughout the focal range. It offers the equivalent angle of view as a lens on an APS-C system camera body depending on the exact crop factor. The Tokina Opera 16-28mm FF is comprised of 15 elements in 13 groups, 3 of which are of aspherical type including a large aspherical P-MO element, and 3 are glass Low-Dispersion SD elements for effective suppression of chromatic and spherical aberrations. It also features a rounded 9 blade diaphragm which creates an attractive blur to the out of focus areas of the image. It has a minimum focusing distance of 28cm / and a maximum reproduction ratio of 1 fast and quiet AF performance, a focus clutch mechanism for switching between AF and MF, and a Multi-Layer Coating to help reduce flare and ghosting. The Tokina Opera 16-28mm FF lens retails for £699 / $699 in the UK and the US, respectively. Ease of Use Weighing in at 940g and measuring in length, the Tokina Opera 16-28mm FF is quite a big lens, almost identical to the Sigma 14-24mm DG HSM Art lens that we've previously reviewed, but larger and heavier than the Canon EF 16-35mm f/ III USM. While you can use the Tokina 16-28mm lens on a smaller APS-C body for a equivalent angle of view, it won't balance well at all. As demonstrated by the images below, it's a much better match for a professional-grade, full-frame camera like the Canon EOS 5DS R. In terms of features, the Tokina Opera 16-28mm FF offers all the basics that you need, except for any kind of weather-sealing, which some of its main rivals do offer. This is a strange omission given that the Opera 50mm f/ lens is weather-sealed - we'd expect Tokina to continue this feature throughout the Opera range. The other main missing feature is the lack of built-in Vibration Reduction, although most of this lens' main rivals don't offer it either with the exception of the Tamron SP 15-30mm Di VC USD. The build quality of the Tokina Opera 16-28mm FF is excellent, reminding us of Sigma's well regarded Art range. The lens has a plastic shell and incorporates a metal bayonet mount, while the optical elements are made of high-grade glass. Focusing is usefully internal and manual focusing is possible when set via the intuitive Focus clutch mechanism on the lens barrel - simply snap the focus ring forwards and backwards to engage either AF or MF. The Tokina Opera 16-28mm FF lens has a moderately sized focus ring. There are no hard stops at both ends of the range, though, making it harder to set focus at infinity. A clear distance scale in both feet and meters runs from the closest focusing distance of / to infinity, but there is no depth of field scale. When it comes to auto-focusing, the Tokina Opera 16-28mm FF zoom is a fairly quick performer, taking about seconds to lock onto the subject when mounted on the Canon EOS 5DS R camera that we tested it with. We didn't experience very much "hunting" at all, either in good or bad light, with the lens accurately focusing virtually all of the time. Despite Tokina's marketing claims, it's not a particularly quiet performer though, despite the combination of the DC motor, Silent Drive module, GMR magnetic AF sensor and internal focusing design inside, which makes this lens less well-suited to video recording. The Tokina Opera 16-28mm FF ships with a good quality soft case, a fixed plastic petal-shaped lens hood and a large round lens cap. Given the cost of the lens, we'd have liked to have seen a hard case included. Note that this lens doesn't accept standard screw-on circular filters due to its large, bulbous front element. Focal Range At the 16mm focal length the angle of view is degrees, and at the 28mm focal length it's degrees. 16mm 28mm Chromatic Aberrations Chromatic aberrations, typically seen as purple or blue fringes along contrasty edges, is generally very well-controlled but can be detected in some shots, as shown below. Light Fall-off With the lens set to its maximum aperture of f/ there is some noticeable light fall-off in the corners. Stopping-down to f/ virtually eliminates this. 16mm 28mm Macro The Tokina Opera 16-28mm FF isn't claimed to be a macro lens, with a minimum focusing distance of 28cm / and a maximum magnification ratio of 1 The following example demonstrates how close you can get to your subject. Bokeh Bokeh is a word used for the out-of-focus areas of a photograph, and is usually described in qualitative terms, such as smooth / creamy / harsh etc. In the Tokina Opera 16-28mm FF lens, Tokina have employed an iris diaphragm with nine rounded blades, which has resulted in very nice bokeh for such a wide-angle lens, especially when shooting at the 28mm focal length. We do realise, however, that bokeh evaluation is subjective, so we've included several examples below for your perusal. Sharpness In order to show you how sharp this lens is, we are providing 100% crops on the following pages. Ease of Use Sharpness 16mm 20mm 24mm 28mm Sample Images Lens Specs Rating & Conclusion Main Rivals Review Roundup

tokina 16 28 nikon